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Welcome to the Matrix
To control the way effects are applied to the loops, radiaL uses a Matrix. This essentially
lists the loop displays along the top with the effects down the side, and the intersection points control the
amount of signal being sent to the outputs. Levels are controlled by clicking on horizontal sliders that looks like
toggle switches and dragging up and down. It's certainly different.
As for the outputs, radiaL is extremely flexible in this department with the ubiquitous 99 possible
outputs which also appear in the Matrix offering further possibilities - or complexity depending on how many
outputs you want to use. The outputs also have their own window complete with flicking VU metres where you can
control the output level. There are saturation and limit controls here to warm-up the sound and help prevent the
volume trashing your gear.
Over usage
Other controls include a panel that displays the tempo - changeable, of course - along with the current CPU and
memory usage. Keep an eye on these.
A Files window offers quick access to files such as loops, settings, recordings and plug-ins. A Clue window
displays a brief description of the item the mouse pointer rests on but it's very general and doesn't 'give you a
clue' about what the different sections of the main loop display window do.
Loop addict
Once you get into radiaL, you'll likely find it quite addictive. A simple exercise would be to load the same
loop into two loop displays and use the controls and effects to change them vis a vis each other. Consider working
with four, six or more different loops and you'll get some idea of the complexity and variety of sounds the program
can produce.
What a performance
You can save your work by recording the audio output to hard disk in real time. However, for a performance
instrument, radiaL has one major omission - there's no facility to record or edit the sequence of events you use to
create a piece. You may have worked out what settings you're going to tweak during the performance but one false
move and you have to start again.
The manual is generally well done although it could be more helpful in places and some instructions aren't
correct - it gets hopelessly confused the pitch and time section, for example.
As the saying goes - if you like loops, you'll love this. There's nothing else on the market that lets you get
so far down and dirty with loops, and all without a cut and paste function in sight. But although radiaL is easy to
use at a basic level, some of its functions are quite complex and it will take time and dedication to become
accomplished with the program.
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Pros
Innovative loop manipulation
Hands-on control via MIDI hardware
Plug-in effects
Compatible with all popular drivers
including ASIO, ReWire,
DirectConnect, Sound Manager
and Core Audio
Cons Quirky interface
Fiddly microscopic controls
No 'performance record' facility
Draconian authorisation system
Summary
radiaL is a clever, innovative and powerful looping tool although its quirkiness
and non-intuitive interface will require time to master.
7/10
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Minimum system requirements
Mac: PowerMac 300MHz G3, 20Mb
free RAM, 10Mb free HD space + up to 500Mb for the loops, System 8.6/OS X
Features
Sample-accurate synchronised playback of loops
Loop independent pitch and time manipulation
Variable filters for each loop
Supports AIFF, Wave and MP3 files
Apply VST plug-in effects
14 effects supplied
Flexible effects routing and chaining
Control via external MIDI controller
Flexible audio routing
Record output to disk
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